![]() From consulting on documentaries such as The Biggest Little Farm to effects-filled blockbusters such as Terminator: Dark Fate, Soule has seen firsthand how to best bring Hollywood edits across the finish line. Soule has been at Adobe for over 15 years working with film and television productions to help create workflows that meet tight deadlines and high expectations. To deliver better, faster content within these complicated post-production workflows, editors need to understand how reliable handovers can make the difference between a smooth edit and a stressful scramble.Īt Post|Production World 2021, Adobe’s Karl Soule shared insider knowledge on what it takes to bring major productions together. Top Hollywood film and television projects typically work with multiple production houses that each play a specialized role: pre-processing dailies, finalizing color, or creating award-winning sound. These tools empower editors to take greater control of their edits and deliver excellent results faster.īut the all-in-one approach doesn’t work for all productions. ![]() ![]() Apps such as Adobe Premiere Pro continue to add features that give editors every post-production tool they need for audio, color grading, titles, special effects, and more. Modern NLEs bring much more to the table than seamless editing. This is sponsored content brought to you by Adobe. Reliable handovers can make the difference between a smooth edit and a stressful scramble.
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